What I’ve Been Reading
I had some thoughts about writing ‘poet of the month’ posts, and I had a list of poets I wanted to read, or re-read, and talk about. But life, as it does, intervened, and I haven’t done any of them apart from Jim Carruth, whose post you can see here.
I have been reading a lot though, and here are some of the highlights:
Love is a Place, by Joan Magarit, an aging man, confronting death and finding that the answer is love. Does it sound like a cliche? It isn’t, because it is determinedly unsentimental, unsweet and honest. Also concise, and perfectly crafted. Anna Crowe has done a fabulous job of the translation, too.
The Blind Roadmaker by Ian Duhig. On one level a virtuoso exercise in form, not just poetic, like alliterative verse, sonnet, ballad and so on, but sometimes deriving from folk dance rhythms too. But it’s also a consideration of the creation of stories, songs, poems and myths, with a powerful reflection on truth and integrity in story-telling and cultural appropriation. This poem, which you can find at the link below, was an instant favourite, but some of the other, less accessible poems will stay with me longer.
Void Studies by Rachel Boast, from which I learned that abstract doesn’t necessarily mean vague or arid, academic and intellectual or impersonal. Abstract can be vivid and sensual, and take you to ways of speaking about the world that you didn’t expect.
I have got hold of a few books that I haven’t read yet, but I’ve heard some of the poets reading over the last few days at the Edinburgh International Book Festival – Imtiaz Darker taught me that repetition has more to do than creating structural patterns or catchphrases. Rachel McCrum put a depth of resonance to work that performs powerfully but also sits well on the page. JL Williams created a new poem about the Sator Square which shows that playing with words is not mere trickery and mystification, but unfolds aspects of thought and belief that we need to understand in a world of media manipulation.
Sometimes it’s easy to think of reading as a distraction from writing, but goodness, it’s worth it.